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Thunaiyiruppaal Meenakshi (1977)

Cast :Sivakumar,Sujatha,Vijayakumar,C.K.Saraswathy,Thangavelu,A.Karunanidhi,Mouli,
Seenivasan ,Swarna,Vijaya Chandrika
Director : Valampuri Somanathan
Producer :K.N.Subbiah
Music :"Isaignani" Illiayaraja & Veda

S.P.V Films’ Thunai Iruppaal Meenakshi- 1977 had Sivakumar, Vijayakumar, Thengai Srinivasan, Mouli, Thangavelu, Sujatha, Swarna, Manorama, CK Saraswathi, Vijayachandrika and others in its cast. It was a rehash of Gemini’s Samsaram-1951, albeit with a slightly modified screenplay by Valampuri Somanathan, who also directed the film. The story is a meandering tearjerker of a family whose head is separated from his wife and kids by a quirk of fate hastened by the malevolent machinations of his stepmother. The testing travails they undergo over the years, all the while steadfastly up holding honesty and integrity in their daily life, and the contrived climax wherein the family unites in Madurai (the justification for the title!) forms the rest of the (s)tale-

Track Info :

01.Sugamo Aayiram -PSushela

Sugamo aayiram’ finds place in the first few reels of the film itself- Sivakumar and Sujatha have two children. They belong to the salaried middle class segment, and each month is an exacting endeavour for dignified existence. However, the immense love and perfect understanding that they share, brings sweetness in midst of this struggle too, and the family is happy, even in its poverty---Sivakumar forgetting the sress he faces at work, when he relishes Sujatha’s ‘vathatha kuzhambu’ served so lovingly, Sujatha offering her mundhanai to him for wiping his hands after the meal, the kids pretending to look the other way when their parents indulge in a bit of morning romance, Sivakumar and the kids going up to the street corner and waving to Sujatha who stands at the doorstep watching them go to office and school---precious moments of daily domestic bliss!


It is then that Sujatha discovers that they are soon to have another addition to the family. When she breaks the news to Sivakumar, he is worried about the financial implications- this added burden to their already hand–to-mouth existence looms threateningly in his mind—She understands his fears, and puts them to rest by her song—she takes the veenai in her hands—and the enchantment starts—music is the food of love and she plays on--

How tenderly she brings peace to his troubled mind! And even while applying a soothing balm to his mental torment, she gives a fetching lecture on how life is to be lived in its fullest sense. Like the moon that waxes and wanes in its inexorable cycle, she reminds him, life too has its ups and down. One has to have the resolve to face the trying tribulations that life, as its wont, keeps springing at every turn. And one should meet these hardships with a hardy smile. When he has her and she has him, and they share so great a love, cemented by perfect understanding, wouldn’t they together overcome all adversities with ease?

Of course, even as the song ends, the stepmother ( CK Saraswathi) arrives , and soon this tranquil nest to torn asunder--

The simple, yet apposite lyrics, the gracious presence of Sujatha, the spellbinding skills of Gayatri on the veenai, the voice of PS-liquid of vowels, kind to consonants, dainty and dulcet in every note - the song is the treasured apotheosis of vintage IR in euphonious flow—

If the pallavi, just consisting of four words, is ethereal in its execution, the almost continuous charanam gathers grandeur in its glide—And if Suseela’s caressing voice is the hearbeat of the song, Gayatri’s nimble fingering on the strings and adept actions on the frets form the diastole and systole of the prelude and the interludes.

This song was very popular in the late 70s. It was among the earliest film songs that I heard as a child, and ‘Sugamo aayiram’, along with ‘Thaenil aadum roja’ (another wonderful IR/PS collaboration) takes me back to ‘Thaen Kinnam’ at 7.45 of the 70s—Nostalgia time

Source : Dhool.com

Sugamo aayiram
uravo kaaviyam
sugamo aayiram

vaazhkai endraal adhil naalumundu
andha vattathilae oru thittamundu
valarndhaalum kuraindhaalum
nilavondru oli veesum
adhai kaanum balam vendum
vilaiyaadum manam vendum

kaalangalil pala kolam undu
andha kolangalil pala pulli undu
dhinandhorum rasithaalum
oru naalum thevittaadhu
adhudhaane samsaram --
adhilthaanae sandhosham

punnagaiyil vandha pennazhagu
oru ponn nagaiyil illai nalluravu
enai neeyum, unai naanum
unarndhaalae adhu podhum
adhuthaane panbaadu--
adhai naalum pann paadu



02. Setril Oru Senkazhani - TMSoundaraja -SJanaki

Its a duet for Vijayakumar and Swarna in the movie

பாடலை கேட்க









03. Vaarthai Illamal Oru Kavi - PSushela

A melancholy solo by PS.



04.Harichandran drama - MVasudhevan & chorus

Play to listen






05. Ammamma Pasikkudhamma - BSSasirekha

Amma Pasikkudhe Sasirekha for a child, Some therukoothu kinda song

பாடலை கேட்க







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What others says about Maestro Ilaiyaraja

Ilaiyaraaja is my favourite musician. He has that unmatched talent to maintain a particular raga till the very end of the song. The essence & soul of the raga is well maintained throughout

ANURADHA KRISHNAMURTHY (Carnatic Vocalist / TV star, South India)

As far as i am concerned, i would say Ilaiyaraja is the composer of the century. If there is one single authority on 'orchestration', it can only be ilaiyaraja.

Dr.BALAMURALIKRISHNA (Eminent Carnatic Vocalist, India) .

I love all the melodious compositions of ilaiyaraja sung by S.P.Balasubramaniam and Yesudoss. My all time favourite is 'raja raja chozhan' from 'Rettai Vaal Kuruvi' that i hum frequently.

L.BALAJI (Budding Cricket Star/Bowler, India)

There wont be another ilaiyaraja. He is par excellence, self taught and a complete composer. Improvising on original compositions of someone like ilaiyaraja has always been a dicey proposition for me. Some of my improvisations / touches get his nod, while in other instances when i go overboard, he would step in with a figurative spank in the ear. Me, Jesu anna and Chitra are all so lucky to have got the opportunity to sing hundreds of numbers in his music.

S.P.BALASUBRAHMANYAM (Eminent Singer, Music Director, India)

If a situation arised wherein ilaiyaraaja decides to quit film music, i would as well quit making films. We both have worked so long with each other now that i dont need to explain him in great details abt my expectations. He knows what music i would want, and i create situations which he will love to make music for.

BALUMAHENDRA (Eminent Film Director, India)

He is the master of background music. I watch films that has ilaiyaraja as the music director, just for his background scores. "Thalapathi" is one such movie, which i have watched umpteen times just for his BGMs.

BHARADHWAJ (Music Composer, India)

When you listen to his songs, you feel as if you were in a trance. Especially, the song," Kaatril Endhan Geedham" from film Johny. Listening to his music is by itself a meditation to me.

BHARANI (Music Composer, South India)

I shoot scenes with a particular impact in mind. And even before i discuss about what i have in mind, he is already ready with mind boggling BGM bits.

BHARATHIRAAJA (Noted Film Maker, India)

His music is precious. Mere dishing out of money wont get you such quality music.

CHANDRAHASAN ( Film Producer, India)

I owe a lot to maestro ilaiyaraja and I will ever remain grateful to him. He is the main reason for whatever i have achieved as a singer thus far in my career. The padmashree award that i received was not for me...it is dedicated to raja sir...I still remember very clearly the day when i sang "poojaiketha poovidhu" in his recording studio..From that day, till today, he has been blessing me with his love, standing by me as my own father ...

CHITRA (Eminent Singer, India)

We are big fans of the Maestro, and are proud to be the exclusive North American importer of the WINGS CD. ReR USA holds no allegiance to any particular style or genre of music, rather we only care about excellence. That's why we're so thrilled to have ilaiyaraaja !!.

DAVID KERMAN (ReR-USA, Music Distributor, North America)

He is my God. I have grown up listening to his music. Whatever i am able to compose today, i owe it to this maestro.

DEVI SRI PRASAD (Film Music Director, South India)

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