The Demo Site

Cast : Sivakumar,Rani Chandra
Director : A.C.Thirulogachandar
Music :"Isaignani" Illiayaraja



01. Aanantha Bairavi (3.50)- MR Vijaya

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02.Kannan Oru Kaikkuzhanthai (3.50)- K.J.Yesudas & P.Susheela
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கண்ணன் ஒரு கைக்குழந்தை
கண்கள் சொல்லும் பூன்க்கவிதை
கன்னம் சிந்தும் தேனமுதைக்
கொண்டு வரும் என் மனதை
கையிரண்டில் நான் எடுத்து
பாடுகின்றேன் ஆராரோ
மைவிழியே தாலேலோ
மாதவனே தாலேலோ

(கண்ணன்)

உன் மடியில் நான் உறங்க
கண்ணிரண்டும்தான் மயங்க
என்ன தவம் செய்தேனோ
என்னவென்று சொல்வேனோ

ஏழ்பிறப்பும் இணைந்திருக்கும்
சொந்தம் இந்த சொந்தம்மம்மா
வாழ்ந்திருக்கும் நாள் வரைக்கும்
தஞ்சம் உந்தன் நெஞ்சமம்மா

அன்னமிடும் கைகளிலே
ஆடிவரும் பிள்ளை இது
உன்னருகில் நான் இருந்தால்
ஆனந்தத்தின் எல்லை அது

காயத்ரி மந்திரத்தை
உச்சரிக்கும் பக்தனம்மா
கேட்கும் வரம் கிடைக்கும் வரை
கண்ணுறக்கம் மறந்ததம்மா

மஞ்சள் கொண்டு நீராடி
மைகுழலில் பூச்சூடி
வஞ்சி மகள் வரும்போது
ஆசை வரும் ஒரு கோடி

கட்டழகன் கண்களுக்கு
மையெடுத்து எழுதட்டுமா
கண்கள் படக் கூடுமென்று
பொட்டு ஒன்று வைக்கட்டுமா

(கண்ணன்)


03. Oththa Rubaa(3.12)- Malaysia Vasudevan & S.Janaki

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04. Odukindraal Urugukindraal (3.21)- Seerkali Govindarajan

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05. Kettelaa Ange (3.21)- Siva kumar & P.Susheela
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KETTELE ANGEY–first controversy song

Talking of Badrakali, one’s mind is sure to capture the all time famous hit "Kannan Oru kai Kuzhanthai." Much has been discussed and reported of that song. However, I would like to bring to the fore a song that stirred so much controversy in Tamilnadu, of course for no fault of Ilayaraja. The song itself and the MD have no involvement in this controversy. The only reason I am quoting this song “in passing” is because this was the first of Ilayaraja’s songs to have faced an unprecedented tempest in his career, all because of the picturisation. But the controversies that Raja directly in music are to follow soon.

Maharishi’s novel was adapted as Badrakali, in which Ilayaraja composed music.

The songs of Badrakali are:

1. Aanantha Bairavi by MR Vijaya
2. Kettele Angey by P. Suseela
3. Kannan oru kai Kuzhanthai by KJ Jesudass and P. Suseela
4. Odukiraal Urugugiraal by Seergazhi Gvovindarajan
5. Ottha Ruba Unakku Taharen by S. Janaki and Malaysia Vasudevan

The song that I have selected for discussion is Kettele Angey. Even while the movie was in the making, there was already an air of excitement, mainly following the unexpected and untimely passing of the heroine Rani Chandra. The film had then to be carefully completed, using another female actress. However, as soon as the film was released, it drew new opposition from the Brahmin community. In the story the hero wanted to go for a disco dance. The wife, having read the intention of the husband decides to perform the record dance at home to entertain the husband. Unfortunately she was wearing the graceful madisaru pudavai often used in the Brahmin community. The Brahmin community took offence to a Brahmin girl performing record dance wearing the madisaru pudavai. This controversy itself gave undue publicity for the movie and many rushed to the theatre. The controversy workled in favour of the movie. I remember seeing the movie at the Diamond Talkies at Pondy Bazar area (today it is no more there). The song was well written by Vali, following his great success in Aduthathu Ambujathai Paathela song in Ethirneechal.

Kettele Angey is very beautifully set to folk tune, in which Raja simply excelled.

Kettele Ange
Adhai Parthela Inge
Ethaiyo Nenechel Athaiye Nenachen -Naan
Ambalaiyaan manusu Pole nadappen
Intha Aathukkari Verethukku Irukken?
Vangonnaa! Ada Vangonna!

Madisaru Pudavaikku Illatha Azhaga?
Veraaru Yennattam Nadai Pottu Varuvaa?
Theriyathannaa Puriyathanaa
Vayasillaiya Nekkum?
Vasiyam Pannatuma?


Tanjavoor kadamapathai Mozham pottu Vangi
Thalaimele vaVachundu Ninneene Engi
Manakkalaiyo mayakkalaiyio
Kothikalaiyo Udambu
Pakka nanillaiyo?
Vangonna Ada Vangonna


Pollathe Aasaikku Yenintha Alaichal?
Kallattam Irukene Nekkena Kuaichal?
Mookirukku Muzhi Irukku Aazhakillaiyo Nekku
Aadi Kattattuma?
Vangonna Ada Vangonna

This was the Fourth Film for Ilayaraja that ran for 175 days. It turned out to be another feather in his cap.

When I went for tea in Seergazhi Govindarajan, I enquired him on the song that he had sung in Badrakali- Odugiraal,Urugugiraal. Seergazhiyar told me that the song was of average score and that Ilayaraja was still at infant stage. But he believed then, that Ilayaraja still had a long way to go before he could prove himself. True enough, very soon, Ilayaraja scaled new heights in the world of Tamil film music.

In my discussion with PB Sreenivas, he told me that Ilayaraja had some unique capabilities, yet to be well understood by any average listener.

I conversed with these two immediately after the success of Badrakali.


To cut the story short, the song that I had cited is just the beginning of many other direct controversies yet to be created by Raja. “Narathar Sandai Nallathil Mudiyum” So were the meaningful controversies created by Ilayaraja in the later years.


Source : Mayyam.com


Download Batrakali Mp3 Songs 10.96 MB in ZIP Format : Click Here